Resident evil after life in 3D

Resident Evil: Afterlife is an upcoming 3D science-fiction action-horror film written and directed by Paul W. S. Anderson, and starring Milla Jovovich, Ali Larter, Wentworth Miller, Kim Coates, Spencer Locke, Boris Kodjoe and Shawn Roberts. It is the fourth installment in a series of film adaptations based loosely on Capcom's survival horror video game series Resident Evil. It is also the first film in the series to be released in 3D. In the film Alice searches for and rescues remaining survivors in Los Angeles of the T-virus outbreak, who team up against Albert Wesker, the head of the Umbrella Corporation.

In May 2005, producers mentioned the possibility of following Resident Evil: Extinction with a sequel titled Afterlife. Extinction was released in 2007 and was a box office success prompting Afterlife to begin development in June 2008, with the script being written by Anderson that December. Elements from Resident Evil 5 were incorporated into the film.
The fourth installment of the hugely successful "Resident Evil" franchise, "Resident Evil: Afterlife" is again based on the wildly popular video game series, and will this time be presented in 3-D.

 In a world ravaged by a virus infection, turning its
victims into the Undead, Alice (Milla Jovovich), continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead - and Alice and her comrades are about to step into a deadly trap.

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With a budget of $60 million,[ principal photography began on September 29, 2009, in Toronto, Canada, and wrapped in December 2009. Roberts began filming his scenes on October 10, 2009 and finished in about ten weeks. Anderson used James Cameron's Fusion Camera System, or more specifically a Sony F35 camera. Visual effects production manager Eric Roberston described the look of the film, "interesting contrasts, pure whites, which is a staggering look. It's so clean and tight along with some real darkness too that may evoke a bit of a feel of Silent Hill. So we've got the extremes, but it's definitely a unique look for this incarnation and it's been fun to see those looks".